| Je vis au Canada, mais en dehors de la Province du Québec, quelles sont les taxes que je suis censé(e) payer? |
| Si vous résidiez en Ontario, Colombie-Britannique, Nouveau-Brunswick, Nouvelle-Écosse ou Terre-Neuve, vous aurez à payer la TVH. Les résidents du Québec auront à payer à la fois la TPS ainsi que la TVQ. Les résident des autres provinces payent seulement la TPS. |
| Vous disposez de centaines de projecteurs ainsi que d'articles pour le cinéma maison. Comment puis-je choisir? |
| Vous aurez plusieurs paramètres à prendre en considération: La taille de votre salon, la distance entre les sièges et l'écran, la lumière ambiante dans la pièce ainsi que le degré de contrôle que vous avez sur cette lumière. La taille de l'écran est également un facteur prédominant. Mais vous devrez d'abord décider quel est le budget qui vous convient pour vôtre équipement de cinéma maison. Nôtre équipe sera plus qu'heureuse de vous aider à déterminer ce dont vous avez besoin. |
| Pourquoi devrais-je opter pour un projecteur au lieu d'un écran plat ou même une TV projection (RPTV)? |
| A cause de la taille de l'image que vous optenez! Selon les spécialistes de Fox Studio, pour obtenir l'effet que vous souhaitez, il vous faut au moins un angle de 45 degrés entre les extrémités de l'écran et du fauteuil, ce qui n'est généralement pas le cas avec un TV 60". Egalement, pensez à tout l'espace que vous gagnerez en utilisant un projecteur au lieu d'un écran télé. Un autre avantage de l'utilisation d'un projecteur, est que vous pouvez facilement l'emporter chez un ami pour regarder le match sur grand écran, même sur le mur! |
| Les items que distribue Quebec Acoustic sont-ils sous garantie? |
| En tant que revendeur agrée, tous nos articles sont couverts par 'the manufacturers Canadian warranty', nous ne vendons pas d'articles provenant du marché 'gris'. |
LEXIQUE DU CINEMA MAISON
A
Absorption: Réduction de l'énergie accoustique habituellement en la convertissant en chaleur via friction et en utilisant des materiaux doux et fibreux.
AC3: Audio Codec 3. Ceci était le nom d'origine et plus technique de Dolby Digital. Remplacé par des merveilles de commerce lorsqu'ils se sont aperçus que Dolby ne fig urait pas dans le titre. Des disques lasers RF modulated, 5.1-encoded furent labélisés en tant que AC3. Les dernières versions furent labélisées Dolby Digital.
Academy Curve: un roulement volontaire dans un système de réponse playback au dessus de ~2kHz (jusqu'à -18dB à 8kHz) afin de minimiser le bruit dans les pistes mono-optiques. Certains(beaucoup de) transfers de films mono vers de la vidéo maison, ont omis d'intégrer le filtre académique pendant le transfert, donnant à beaucoup de vieux films un son strident qu'ils n'étaient jamais censés avoir. Quelques processeurs maison sont dotés de l'option de filtre académique, les rendant un must pour les mordus de vieux films. Est utilisé depuis 1938.
Acoustic Suspension: Une enceinte sélée de haut parleur qui utilise l'air coincé dans le coffre comme une source de renforcement, afin d'aider à mieux contrôler la motion des haut-parleurs graves
Active: En marche. Un traverseur actif est éléctriquement en état de marche et divise le signal de ligne avant amplification. Un haut parleur actif contient un traverseur actif ainsi qu'un amplificateur intégré
Amplifier: Un composant qui augmente le gain ou le niveau du signal audio.
AM: Amplitude modulée.
Anamorphic: Procédé qui condense horizontalement(presse) un image 16:9 en un espace 4:3, préservant 25% de plus de résolution verticale que de boîte-aux-lettrage dans l'espace 4:3. Afin que le signal apparaisse avec une géométrie correcte, l'affichage doit soit s'élargir horizontalement ou bien resserer l'image verticalement.
Aspect Ratio: Le ratio entre la largeur et la hauteur de l'image. Les ratios courants sont 1.85:1 and 2.35:1. Les écrans de télévisions sont généralement 1.33:1 (également connus sous le nom de 4:3), ce qui est similaire au standarts académiques pour les films des années 50's. Le HDTV est 1.78:1, ou 16:9. Quand les films à grande résolution (films dont le ratio est plus large que 1.33:1) sont présentés sur des télévisions 1.33:1, l'image doit être boîte-à-lettrée, anamorphiquement comprimée, ou bien enboîté de façon à embrasser la forme de l'écran.
ATSC: Advanced Television Systems Committee. Comité dirigé par le gouvernement, et qui a développé nôtre système digital de transmission télé.
Attenuate: Eteindre, réduire, diminuer le niveau de; le contraire de 'boost'.
A-Weighting: L'influence des fréquences hautes et basses sont réduites en comparaison des fréquences moyennes car les gens le plus généralement sensibles aux sons de moyennes fréquences.
B
Balanced Input: Une connexion par trois conducteurs: deux conducteurs identiques de signaux, lesquels sont 180 degrés hors phase l'un de l'autre, et une masse. Ce type de connection est très résistant au bruit de ligne.
Bandpass: Un filtre en deux parties et qui coupe les fréquences hautes et basses autour d'une bande centrale. Un enclos de bande passante coupe les hautes fréquences par annulation accoustique et les basse fréquences par limitations physiques naturelles sur basse réponse.
Bandwidth: En audio, la rangée de fréquences à l'intérieure de laquelle un appareil opère. En vidéo, la rangée de fréquences passée entre l'entrée et la sortie.
Bass: Basses fréquences; celles en dessous de 200 Hz approximativement.
Bass Reflex: Voir Port.
Bipolar: 1) La condition de possession de deux jeux de pôles. Dans un transistor conventionel(non-FET), une jeux de pôles existe entre la base et le collecteur, et l'autre jeu entre la base et l'émetteur. 2) Haut parleurs qui se composent de deux ensembles conducteurs exposés vers des directions opposées et en circuit de phase éléctrique l'un avec l'autre afin de créer une phase de son plus diffuse.
Bi-Wiring: Méthode qui permet de connecter un amplificateur ou receveur à un haut parleur dans lequel des cables séparés sont opérés entre l'amplificateur et les hauts parleurs bas et hauts.
Black Level: Niveau de lumière des parties les plus sombres d'une image vidéo. Un contrôle de contrôle de l'obscurité règle le niveau de lumière de la partie la plus sombre du signal vidéo afin que ce dernier corresponde à la capacité d'exposition du niveau d'obscurité de l'écran. Beaucoup d'écrans ont généralement un meilleur niveau obscurité qu'avec du DLP, plasma, et LCD, généralement dans cet ordre.
Boost: Augmenter, augmenter le volume ou la clarté; le contraire d'atténuer.
Bridging: Combiner deux canaux d'un amplificateur afin de n'avoir qu'un seul canal plus puissant. Un canal amplifie la partie positive d'un signal audio et l'autre canal amplifie la partie négative du signal, lesquels sont ensuite combinés à la sortie
Brightness: Pour la vidéo, le niveau global de lumière sur l'image entière. Un contrôle de clarté rend l'image plus claire; cependant, quand c'est combiné avec le contrast, ou control de niveau de blanc, le contrôle de clarté permet mieux de définir le niveau d'obscurité de l'image (voir Black Level). Pour l'audio, clair signifie trop de 'trebble' ou bien de sons hautes fréquences.
C
Cascading Crossovers: Deux traverseurs en série sur le même signal sur la même rangée de fréquences, donnant lieu à une plus grande atténuation du signal hors-bande.
Cathode Ray Tube: (CRT) Dispositif analogique d'affichage qui génère une image sur une couche de phosphores, lesquels sont conduits par un canon à électrons.
CD: Compact Disque. Format audio omniprésent. Il utilise un signal digital PCM à taux d'échantillonage 16-bit/44.1-kHz afin d'encoder environ de 74 à 80 minutes de signal audio stéréo sur un disque 5 pouces.
CD-R: Recordable Compact Disc. CD Inscriptible
CD-RW: Rewritable Compact Disc. CD Réinscriptible
CEA: Consumer Electronics Association. Un association de fabricants d'articles d'électro-ménager.
Center Channel: Le haut-parleur central dans un installation de cinéma maison. Dans l'idéal situé entre un ou deux pieds au dessus ou bien au dessous du paneau horizontal des baffles gauches et droites et au dessus ou au dessous du dispositif d'affichage, à moins qu'il ne soit situé derrière un écran perforé. L'endroit sur lequel il est situé est important, dans la mesure ou les voix et beaucoup d'effets dans un mix mutil-canaux proviennent de ce haut parleur.
Channel: Dans les composants et systèmes, un canal est un chemin de signal séparé.
Chrominance: (C) La part de couleur d'un signal vidéo.
Coaxial: 1) Un haut-parleur typiquement avec un driver au milieu, et sur le même axe, un autre driver. 2) Un cable audio ou vidéo avec une seule broche centrale qui joue le rôle de tête et un bouclier extérieur qui fait office de masse.
Codec: Algorythmes mathématiques utilisés dans le but de compresser de larges signaux de données en petits espaces et avec une perte minimum d'information.
Coloration: Quelconque changement dans la nature du son (tel qu'une exagération de certaines tonalités) et qui en réduit son côté naturel.
Component Video: Un signal qui est enregistré ou transmis dans ses composants séparés. Se rapporte typiqement au Y/Pb/Pr, lequel se compose de trois canaux de 75 ohms: un pour l'information relative à la luminance, et deux pour la couleur. A comparer avec un signal S-Video, un signal Y/Pb/Pr transporte plus de détails couleur. HDTV, DVD, et DBS sont des sources composants vidéo, bien que la plupart du matériel DBS est transcodé en composant à partir de signaux composites.
Compound Loading: Voir Isobarik.
Composite Video: Un signal qui contient à la fois chrominance et luminance sur le même cable de 75 ohms. Utilisé dans presque tous les appareils vidéos grand-public. La chrominance s'effectue par le biais d'une bande de côté de 3.58-mHz et éliminé par l'échancrure TV ou le filtre peigne. Un mauvais filtrage peut résulter en un rampage des points, suspension des points, ou tout autres artefacts.
Contrast: Différence relative entre les parties les plus claires et les plus sombres d'une image. Un contrôle de contraste ajuste la pointe d'affichage des blancs dans un dispositif d'affichage.
Controller: Terme générique pour désigner en général une combinaison processeur préamp/surround ou receveur. Peut également renvoyer à un équipement sans fil de poche.
Crossover: Un composant qui divise le signal audio en deux rangées de plus par fréquence, envoyant, par example, des basses fréquences vers une sortie et des hautes fréquences vers une autre. Un traverseur actif est mis en marche et divise le signal audio de niveau de ligne avant amplification. Un traverseur passif n'utilise aucune source externe de courant et est susceptible d'être utilisée soit au niveau de ligne ou, plus communément, au niveau du haut parleur pour diviser le signal après amplification et envoyer les basses fréquences vers le haut parleur bas et les hautes fréquences vers le haut parleur haut.
Crossover Frequency: La fréquence à laquelle un signal audio est divisé. 80Hz est point de traversage typique de sous haut-parleurs bas, et est le point de traversage recommandé dans les systèmes THX maisons et théatraux. Les fréquences inférieures à 80Hz sont envoyées vers le haut parleur bas; les signaux supérieurs à 80Hz sont envoyés vers les haut parleurs principaux.
Crossover Slope: Le taux d'atténuation exprimé en décibels de changement pour chaque octave loin de la fréquence du traverseur.
CRT: Voir Cathode Ray Tube.
Cut: Réduire, abaisser; le contraire de boost.
D
Damping: Relatif au contrôle de la vibration par des moyens méchaniques ou électriques.
Damping Material: Tout matériel qui absorbe les ondes sonores et élimine l'énergie énergie en la convertissant en une forme différente. Les matériaux fibreux par exemple, transforment l'énergie accoustique en chaleur par le biais de la friction.
D'Appolito: réseau conducteur verticallement symétrique. Consiste typiquement en un haut-parleur haut monté entre deux haut-parleurs bas. Crée un son directionnel plus vertical, avec des lobes espacés de façon égale dans la réponse hors-axe, quand on le compare avec un réseau conducteur assymétrique.
DBS: Direct Broadcast Satellite. Term that replaced DSS to describe small-dish, digital satellite systems such as DirecTV and Dish Network.
Decibel (dB): A logarithmic measurement unit that describes a sound's relative loudness, though it can also be used to describe the relative difference between two power levels. A decibel is one tenth of a Bel. In sound, decibels generally measure a scale from 0 (the threshold of hearing) to 120-140 dB (the threshold of pain). A 3dB difference equates to a doubling of power. A 10dB difference is required to double the subjective volume. A 1dB difference over a broad frequency range is noticeable to most people, while a 0.2dB difference can affect the subjective impression of a sound.
Delay: The time difference between a sonic event and its perception at the listening position (sound traveling through space is delayed according to the distance it travels). People perceive spaciousness by the delay between the arrival of direct and reflected sound (larger spaces cause longer delays).
Diaphragm: The part of a dynamic loudspeaker attached to the voice coil that produces sound. It usually has the shape of a cone or dome.
Diffusion: In audio, the scattering of sound waves, reducing the sense of localization. In video, the scattering of light waves, reducing hot spotting, as in a diffusion screen.
Diffusor: Acoustical treatment device that preserves sound energy by reflecting it evenly in multiple directions, as opposed to a flat surface, which reflects a majority of the sound energy in one direction.
Digital Theater Systems: Voir DTS.
Digital Audio Server: Essentially a hard drive, a digital audio server stores compressed audio files (like MP3 or WMA). Most include the processing to make the files, and all have the ability to play them back.
D-ILA: Direct Drive Image Light Amplifier. This Hughes/JVC technology uses a reflective LCD to create an image. A light source is then reflected off the reflective LCD and is directed through a lens to a screen.
Dipole: Speakers with drivers on opposite faces that are wired electrically out of phase, creating an area of cancellation to the sides. Recommended by THX for use as surround speakers, with null directed at the listener to create a more ambient and non-localizable effect.
Direct-Stream Digital: A format for encoding high-resolution audio signals. It uses a 1-bit encoder with a sampling rate of 2,822,400 samples per second (verses 44,100 for CD). Used to encode six high-resolution channels on SACD.
Direct-View Television: Display whose image is created on the surface from which it is viewed.
Dispersion: The spread of sound over a wide area.
Distortion: Any undesired change in an audio signal between input and the output.
DLP: Digital Light Processing. A Texas Instruments process of projecting video images using a light source reflecting off of an array of tens of thousands of microscopic mirrors. Each mirror represents a pixel and reflects light toward the lens for white and away from it for black, modulating in between for various shades of gray. Three-chip versions use separate arrays for the red, green, and blue colors. Single-chip arrays use a color-filter wheel that alternates each filter color in front of the mirror array at appropriate intervals.
DMD: Digital Micromirror Device. Texas Instruments engine that powers DLP projectors. Uses an array with tens of thousands of microscopic mirrors that reflect a light source toward or away from the lens, creating an image. Each mirror represents a pixel. See DLP.
DNR: Dynamic Noise Reduction. A signal-processing circuit that attempts to reduce the level of high-frequency noise. Unlike Dolby NR, DNR doesn't require preprocessing during recording.
Dolby B: A noise-reduction system that increases the level of high frequencies during recording and decreases them during playback.
Dolby C: An improvement on Dolby B that provides about twice as much noise reduction.
Dolby Digital: An encoding system that digitally compresses up to 5.1 discrete channels of audio (left front, center, right front, left surround, right surround, and LFE) into a single bitstream, which can be recorded onto a DVD, HDTV broadcast, or other form of digital media. When RF-modulated, it was included on some laser discs, which requires an RF-demodulator before the signal can be decoded. Five channels are full-range; the .1 channel is a band-limited LFE track. A Dolby Digital processor (found in most new receivers, preamps, and some DVD players) can decode this signal back into the 5.1 separate channels. Most films since 1992's Batman Returns have been recorded in a 5.1 digital format, though a number of films before that had 6-channel analog tracks that have been remastered into 5.1.
Dolby EX: An enhancement to Dolby Digital that adds a surround back channel to 5.1 soundtracks. The sixth channel is matrixed from the left and right surround channels. Often referred to as 6.1. Sometimes referred to as 7.1 if the system uses two surround back speakers, even though both speakers reproduce the same signal. Software is backwards-compatible with 5.1 systems, but requires an EX or 6.1 processor to obtain additional benefit.
Dolby Pro Logic: An enhancement of the Dolby Surround decoding process. Pro Logic decoders derive left, center, right, and a mono surround channel from two-channel Dolby Surround–encoded material via matrix techniques.
Dolby Pro Logic II: An enhanced version of Pro Logic. Adds improved decoding for two-channel, non-encoded soundtracks and music.
Dome: A type of speaker-driver shape; usually used for tweeters (convex). Concave domes are usually referred to as "inverted domes."
Dope: A tacky substance added to paper cones to damp spurious vibrations that can cause breakup and rough response. Also, see Editor.
Dot Crawl: An artifact of composite video signals that appears as a moving, zipper-like, vertical border between colors.
Driver: A speaker without an enclosure; also refers to the active element of a speaker system that creates compressions and rarefactions in the air.
DSD: Voir Direct Stream Digital.
DSP: Digital Signal Processing. Manipulating an audio signal digitally to create various possible effects at the output. Often refers to artificially generated surround effects derived from and applied to two-channel sources.
DTS: Digital Theater Systems. A digital sound recording format, originally developed for theatrical film soundtracks, starting with Jurassic Park. Records 5.1 discrete channels of audio onto a handful of laser discs, CDs, and DVDs. Requires a player with DTS output connected to a DTS processor.
DTS ES: An enhanced version of the 5.1 DTS system. Like Dolby's Surround EX, a sixth channel is added. In some cases (DTS ES Discrete), the sixth channel is discrete. Software is backwards-compatible with 5.1 systems, but requires an ES or 6.1 processor to obtain additional benefit. Neo:6 is a subset of DTS ES that creates 6.1 from material with fewer original channels.
DTV: Digital Television. Umbrella term used for the ATSC system that will eventually replace our NTSC system in 2006. HDTV is a subset of the DTV system. While the FCC does not recognize specific scan rates in the adopted DTV system, typically accepted rates include 480i, 480p, 720p, and 1080i.
D-VHS: Digital VHS. Digital signals recorded onto magnetic tape. Greater capacity than typical VHS; can record compressed HDTV signals. See D-Theater
DVD: Officially known as the Digital Video Disc, though marketers unofficially refer to it as the Digital Versatile Disc. DVD uses a 5-inch disc with anywhere from 4.5 Gb (single layer, single-sided) to 17 Gb storage capacity (double-layer, double sided). It uses MPEG2 compression to encode 720:480p resolution, full-motion video and Dolby Digital to encode 5.1 channels of discrete audio. The disc can also contain PCM, DTS, and MPEG audio soundtracks and numerous other features. An audio-only version, DVD-A uses MLP to encode six channels of 24-bit/96-kHz audio.
DVD-A: Digital Versatile Disc-Audio. Enhanced audio format with up to six channels of high-resolution, 24-bit/96-kHz audio encoded onto a DVD, usually using MLP lossless encoding. Requires a DVD-A player and a controller with 6-channel inputs (or a proprietary digital link) for full compatibility.
DVD-R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Pioneer, Panasonic, Toshiba, and others.
DVD-RW: A recordable DVD format similar to CD-RW in that it is re-recordable medium. Backed by Pioneer, Panasonic, Toshiba, and others.
DVD+R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Sony, Philips, Yamaha, HP, and others.
DVD+RW: A recordable DVD format similar to CD-RW in that it is re-recordable medium. Backed by Sony, Philips, Yamaha, HP, and others.
DVD-RAM: A recordable DVD format similar to DVD-RW in that it is a re-writeable format. Unlike DVD-RW it is capable of being written to and erased over 100,000 times. Backed by Hitachi, Panasonic, Toshiba, and others.
DVI: Digital Visual Interface. Connection standard developed by Intel for connecting computers to digital monitors such as flat panels and DLP projectors. A consumer electronics version, not necessarily compatible with the PC version, is used as a connection standard for HDTV tuners and displays. Transmits an uncompressed digital signal to the display. The latter version uses HDCP copy protection to prevent unauthorized copying. See also HDMI.
Dynamic Range: The difference between the lowest and the highest levels; in audio, it's often expressed in decibels. In video, it's listed as the contrast ratio.
E
EDTV: Extended Definition Television. This CEA-adopted term (though originally mentioned in an April '99 HT article by Mike Wood and Mike McGann) is defined as those products that can display DTV images as 480p or higher.
Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Electrostatic: One of the oldest speaker design principles, electrostatic speakers are generally comprised of two fixed perforated panels with a constant high-voltage charge applied to them. In between these two panels is an extremely low-mass diaphragm to which the audio signal is applied, causing it to move. There are variations on this construction, but all electrostatic speakers are free from the magnets and voice coils used in conventional speakers.
Enclosure: The container of air that surrounds the rear of a speaker driver.
Enhanced for 16:9: Voir Anamorphic.
Enhanced for Widescreen: Voir Anamorphic.
EQ: Voir Equalization ou Equalizer.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
EX: See Dolby EX.
External Crossover: A standalone unit. See crossover.
F
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it's in phase with the input and negative when it's out of phase.
Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses.
FireWire: Voir IEEE 1394.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details).
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz ± 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
G
Gain: Increase in level or amplitude.
Graphic Equalizer: A type of equalizer with sliding controls that create a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies; lowering sliders cuts (attenuates) the affected frequencies.
Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity.
H
Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio.
HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.
Hi-Fi Stereo: Feature found on VCRs that records or plays back stereo soundtracks with improved fidelity compared to using the linear stereo tracks.
High Gain Screen: Material that reflects more light than a reference material. Increases a projector's light output at the expense of uniformity.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Home Theater in a Box: A complete home theater system in one box (or at least sold together as a package). Consists of five or more speakers, a subwoofer, and a receiver. May also include a DVD player.
Horn: A type of speaker that looks like a horn. These speakers have small drivers and very large mouths; the horn shape serves to transform the small radiating area of the driver into the much larger radiating area of the mouth of the horn.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
I
IEEE 1394: Networking standard for PCs. Combined with 5C copy protection, is used as a two-way connection to transfer the MPEG-compressed digital bitstreams between consumer electronics items, including HDTV tuners and displays, D-VHS recorders, DVD players, and DBS receivers. Also called FireWire, iLink, …
iLink: See IEEE 1394.
Integrated Amplifier: A combination preamp and amplifier.
Interconnects: Any cable or wire running between two pieces of A/V equipment. For example, RCA terminated cables connecting pre/pros and amps.
Interlace: Process of alternating scan lines to create a complete image. In CRT displays, every second field/frame is scanned between the first field/frame. The first field represents the odd lines; the second field represents the even lines. The fields are aligned and timed so that, with a still image, the human eye blurs the two fields together and sees them as one. Interlace scanning allows only half the lines to be transmitted and presented at any given moment. A 1080i HD signal transmits and displays only 540 lines per 60th of a second. 480i NTSC transmits and displays only 240 lines per 60th of a second. Motion in the image can make the fields noticeable. Interlaced images have motion artifacts when two fields don't match to create the complete frame, often most noticeable in film-based material.
Inverted Dome: A type of speaker-driver shape; usually used for tweeters (concave).
Imaging: The ability to localize the individual sound sources in three-dimensional space.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
Isobarik: Also known as compound loading. By using two low frequency drivers (generally mounted face-to-face and wired electrically out-of-phase or mounted front-to-back in a shallow tube and wired electrically in phase) you can halve the volume of the cabinet without reducing the low frequency extension of the subwoofer.
K
Keystone: A form of video image distortion in which the top of the picture is wider than the bottom, or the left is taller than the right, or vice versa. The image is shaped like a trapezoid rather than a rectangle.
kHz: Kilohertz or one thousand Hz.
L
Laser Disc: Now-defunct 12-inch disc format with excellent analog, FM-recorded video image, and either analog or CD-quality PCM-encoded audio. Later discs used one of the analog channels to record an RF-modulated Dolby Digital/AC3 soundtrack and/or used the PCM tracks to encoded a DTS soundtrack.
LCD: Liquid Crystal Display. A display that consists of two polarizing transparent panels and a liquid crystal surface sandwiched in between. Voltage is applied to certain areas, causing the crystal to turn dark. A light source behind the panel transmits through transparent crystals and is mostly blocked by dark crystals.
LCOS: Liquid Crystal on Silicon
Letterbox: Format used widely on laser disc and many DVDs to fit wide-aspect-ratio movies (1.85:1 and 2.35:1, for example) into a smaller frame, such as the 1.78:1 area of an anamorphic DVD or the 1.33:1 area of a laser disc or video tape. The image is shrunk to fit the screen, leaving blank space on the top and bottom. This process sacrifices some vertical detail that must be used to record the black bars.
LFE: Low Frequency Effects track. The .1 channel of a Dolby Digital, DTS, or SDDS soundtrack. The LFE is strictly low-frequency information (20 to 120 Hz, with 115 dB of dynamic range) that's added to the soundtrack for extra effect. This track does not inherently contain all the bass of the soundtrack.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
LNB: Low-Noise Blocker. The receiving end of a satellite dish.
Low Pass: A filter that lets low frequencies go through but doesn't let high frequencies go through. Same as high cut.
Luminance: The black and white (Y) portion of a composite, Y/C, or Y/Pb/Pr video signal. The luminance channel carries the detail of a video signal. The color channel is laid on top of the luminance signal when creating a picture. Having a separate luminance channel ensures compatibility with black-and-white televisions.
M
Megachanger: CD or DVD player with massive disc storage capacity, holding 50 or more discs.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Multiple-Rate Encoding: Instead of locking encoding at a certain constant data rate, it allows the codec to choose whatever rate is best for that portion of the recording. Usually reduces file size with proportionally less loss in quality.
Multisource: System with multiple sources. Can also be used to describe a receiver that can provide multiple different sources into different rooms.
Multiroom: System that provides audio or video to multiple areas. Usually with only one source.
Multizone: System that provides different sources into multiple areas simultaneously.
N
N-curve: See Academy Curve.
Negative Gain Screen: Material that reflects less light than a reference material. Often used for DLP and LCD projection systems.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
NTSC: National Television Standards Committee. Government-directed committee that established the U.S. color TV standard in 1953. Also known, sarcastically, as Never Twice the Same Color or Never The Same Color due to the inherent difficulty in achieving proper color calibration.
O
Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 hz.
Ohm: A measure of how much something resists (impedes) the flow of electricity. Larger numbers mean more resistance.
Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.
P
Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.
Passive Radiator: A radiating surface (usually similar to a conventional speaker cone) that is not electrically driven but shares the same air space in a sealed cabinet with an electrically driven loudspeaker. This arrangement is functionally similar to a loudspeaker with a vented (ported) cabinet, with the passive radiator serving the duties of the air in the port.
Parametric: Equalizer with adjust-able parameters, such as center frequency and bandwidth (Q), as well as amplitude.
PCM: See Pulse Code Modulation.
Phase: Time relationship between signals; it's all relative.
Piezo: A type of speaker driver that creates sound when a quartz crystal receives electrical energy.
Pixel: Contraction of picture element. The smallest element of data in a video image.
Plasma: Flat-panel display technology that ignites small pockets of gas to light phosphors.
Port: An aperture in a loudspeaker enclosure that helps extend the usable low-frequency output. A ported enclosure is also called vented or bass reflex.
Power Amp: See Amplifier.
Power Output: A measure, usually in watts, of how much energy is modulated by a component.
Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.
Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.
Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.
Pre/Pro: A combination preamp and surround processor.
Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.
Progressive Scanning: Each frame of a video image is scanned complete, from top to bottom, not interlaced. For example, 480p means that each image frame is made of 480 horizontal lines drawn vertically. Computer images are all progressively scanned. Requires more bandwidth (twice as much vertical information) and a faster horizontal scan frequency than interlaced images of the same resolution.
Projection System: Display that projects image onto a screen.
Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.
PVR: Personal Video Recorder. Marketing term for Video HDRs.
Q
Q: The magnification or resonance factor of any resonant device or circuit. Also the width of affected frequencies in an equalizer. Shaped somewhat like an adjustable width bell curve.
R
RCA Jacks: Receptacles for coaxial cables carrying line-level audio signals. Also called phono-type connectors.
Re-EQ: Short for Re-equalization. A feature found on THX-certified receivers and pre/pros. Movie soundtracks are mixed for theaters or far-field monitors with an expected high-frequency roll-off otherwise known as an X-curve. If these soundtracks are not re-mixed for home use, they will sound too bright when played back through home speakers or near-field monitors. Re-EQ inserts an X-curve response into the signal to compensate for this, which takes out some of the soundtrack's excess edginess or brightness.
Rear-Projection Television: Display that projects an image on the backside of a screen material, usually after having been reflected off of a mirror.
Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.
Resonant Frequency: The frequency at which any system vibrates naturally when excited by a stimulus. A tuning fork, for example, resonates at a specific frequency when struck.
Reverberation: The reflections of sound within a closed space.
Reverberation Time: The amount of time it takes the reverberation to decay 60 dB from the level of the original sound.
RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.
RGB: Red, Green, Blue. Can refer to an unprocessed video signal or the color points of a display device. Together these three colors make up every color seen on a display device.
Ribbon Speaker: A loudspeaker that consists of a thin, corrugated, metallic ribbon suspended in a magnetic field. The ribbon acts electrically like a low-impedance voice coil and mechanically as a diaphragm.
RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output.
RPTV: Rear-Projection Television
S
SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.
Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.
Scan Lines: The lines drawn by an electron gun in a CRT system to make up the picture. Drawn horizontally, from left to right, starting at the top left and working to the bottom right.
SDTV: Standard Definition Television. Lower resolution subset of the ATSC's DTV system. 480i is typically accepted as an SD signal. Digital broadcasters can offer multiple sub-programs at SDTV quality, as opposed to one or two HD programs. Digital satellite and digital cable often refer to the majority of their programs as SDTV, somewhat erroneously, as neither system has anything to do with DTV, though both, technically, consist of a digital 480i signal.
Sealed: See Acoustic Suspension.
Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.
Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.
Soft-Dome Tweeter: A tweeter that uses a soft fabric or plastic dome as the radiating diaphragm.
Soundfield: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc.
Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.
Source: A component from which the system's signals originate. DVD player, AM/FM tuners, and VCRs are sources.
Speaker: A component that converts electrical energy into acoustical energy.
Spider: Part of a loudspeaker driver's suspension that helps center the diaphragm and returns it to rest after being moved by an energized voice coil.
SPL: Sound-Pressure Level. Measured in dB.
Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.
Suspension: The elements that hold a loudspeaker driver's moving parts together, allows them to move, and helps return them to rest. Most commonly, these include the flexible surround around the outer rim of the driver and the spider on the underside of the diaphragm. See Spider.
S-VHS: Super VHS. Enhancement to regular VHS that offers improved luminance resolution. (400 lines or so.)
S-Video: See Y/C.
T
Tactile Transducer: A device that turns electrical energy into mechanical energy, usually used to shake the seating in a theater. Effective in providing visceral impact without increasing the system's actual SPL level.
THD: Total Harmonic Distortion
3:2 Pulldown Recognition or 3:2 Inverse Telecine: Film is usually recorded at 24 frames per second. NTSC video (North America) is 30 frames (60 fields) per second. In order to get smooth motion, the film frames are broken into video fields in a 3-2-3 sequence. 3 fields for the first film frame, 2 fields for the second film frame, and so on. If a line doubler doesn't compensate for the extra field during playback on a progressive-scan display, the image will have noticeable motion artifacts. A line doubler with 3:2 pulldown recognition or 3:2 inverse telecine can see this sequence in the signal and correct for it by making sure the last field in the first frame isn't mixed with the first field of the second frame.
THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.
THX Select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that's between 2,000 and 3,000 cubic feet.
THX Ultra: Certification program for speakers, receivers, and amplifiers that assures a base level of quality and performance when played in a room that's greater than 3,000 cubic feet.
THX Ultra 2: The newest certification from THX, THX Ultra 2 requires amplification for seven channels, boundary compensation for subwoofers, and stricter requirements for amplifiers and speakers than THX Ultra. Dipole speakers are used for the side surround channels. Monopole speakers are used for the surround back channel and are placed next to each other. The Ultra 2 processor accommodates both 5.1 EX/ES soundtracks, as well as multichannel audio recordings by directing ambient sounds to the dipole speakers and discrete effects/sounds to the back channels.
Transducer: Any device that converts one form of energy into another form of energy, specifically when one of the quantities is electrical. Thus, a loudspeaker converts electrical impulses into sound (mechanical impulses), a microphone converts sound into electrical impulses, a solar cell converts light into electricity, etc.
Transmission Line: A (sub)woofer cabinet design where the driver is mounted at one end of a tube with the same diameter as the radiating area of the driver and a length of 1/4 wavelength of the 3dB down frequency. This "tube" may or may not be round and may be folded to decrease the size of the cabinet.
Tuner: See Receiver.
Tweeter: A speaker driver designed to reproduce high frequencies; usually those over approximately 5,000 to 10,000 Hz.
U
Uniformity: Even distribution across a given space. In video, uniformity can refer to the distribution of light (hot spotting) or color.
Unity Gain: Output that equals the input. Unity gain screen material reflects as much light as the reference material. Has an even dispersion of light.
Universal Remote: Remote that has the commands of numerous brands stored into memory and can control several different devices simultaneously.
V
VAS: The volume of air that offers the same degree of restoring force on the loudspeaker driver's cone as that of the cone's suspension.
VCR: See Video Cassette Recorder.
VCR Plus: VCR feature that, once programmed, allows the user to input the TV guide code for a given program into the VCR, which then automatically sets itself to record that program.
Vented: See Port or Passive Radiator.
VHS: Vertical Helical Scan (or as JCV calls it, "Video Home System"). Widely used method of recording audio and video electrical signals onto magnetic tape.
Video Cassette Recorder: Device that records audio and video electrical signals onto magnetic tape (aka videotape recorder).
Volt: The unit of electrical potential, or difference in electrical pressure, expressing the difference between two electrical charges.
W
Watt: A unit of power or energy. One horsepower is equal to 745.7 watts.
Word Length: The sampling rate determines how often an analog wave is sampled; the word length determines the resolution of the sample. The larger the word length, the more accurate the sample as a whole. A 16-bit word length (CD) allows 65,536 different level or volume steps that can be chosen for each sample.
WMA: Windows Media Audio. An audio compression format similar to MP3, but with digital rights management (copy protection and usage restrictions) built-in by Microsoft.
Woofer: A speaker driver designed to reproduce low frequencies.
Wow-and-Flutter: A measurement of speed instability in analog equipment usually applied to cassette transports and turntables. Wow is slow-speed variations, and flutter is fast-speed variations. Lower percentages are better.
X
X-over: see crossover.
X-curve: An intentional roll-off in a theatrical system's playback response above ~2kHz at 3dB per octave. A modern convention (standardized between 1975 and 1984) specified in ISO Bulletin 2969, it is measured at the rerecording position in a dubbing stage or two-thirds of the way back in a movie theater. Pink noise should measure flat to 2kHz and then should roll-off above that. Home THX processors add this roll-off, when engaged, so that a home video soundtrack will have the same response as it would in a theatrical setting.
Y
Y/C: Abbreviation for luminance/ chrominance, aka S-video signal. Color and detail signals are kept separate, thus preventing composite video artifacts. Cable uses four-pin connector. Used with S-VHS VCRs, DVD players, Hi-8, and DBS receivers.
Y/Pb/Pr: See component video.
Z
Zone: One or more rooms powered by one or more amplifiers, which are all fed by one source. A home can be divided into multiple zones, which can play multiple sources, even though several rooms (say, the kitchen, dining room, and living room) all play the same source.
